One Act Results

The following one acts were selected as Best of Show and will be representing District 5 at the State Thespian Festival in Tampa.  The selections are arranged in order of troupe number.  Judges do not determine 'places', only which one acts will proceed to State:

Best in Show One Act	1139	Collected Stories
Best in Show One Act	6614	Still Life with Iris
Best in Show One Act	7434	When the Hurly Burly is Done
Best in Show One Act	8483	Almost, Maine

The following students were awarded individual acting awards by the One Act judges:

Best Actor	7434	When the Hurly Burly is Done	Daniel Tracht
Best Actress	1139	Collected Stories	Sophia Deler
Best Featured Actor	6614	Still Life with Iris	Alex Paradas
Best Featured Actress	850	Working (Revised 2012)	Maddie Roby
Best Supporting Actor	7434	When the Hurly Burly is Done	Nicolas Gavillan
Best Supporting Actress	5165	The Elephant's Graveyard	Claire Derderian
Critic's Choice Tech	4276	26 Pebbles
Best Run Crew	6303	Dr. Jekyll and Mr. Hyde
Outstanding Ensemble	8483	Almost, Maine

The following schools received a Superior in One Act Performance (listed in order of performance):

Troupe	Show
7475	Much Ado About Nothing
2449	The Curious Savage
7434	When the Hurly Burly is Done
1983	August: Osage County
592	Good Kids
8483	Almost, Maine
850	Working (Revised 2012)
4848	The Complete Works of Shakespeare (Abridged)
5165	The Elephant's Graveyard
6614	Still Life with Iris
4276	26 Pebbles
1139	Collected Stories

The following schools received a Superior in One Act Tech (listed in order of performance):

Troupe	Show
5115	Love is Love
557	Macbeth
7475	Much Ado About Nothing
7434	When the Hurly Burly is Done
1983	August: Osage County
8483	Almost, Maine
850	Working (Revised 2012)
4848	The Complete Works of Shakespeare (Abridged)
6893	Finding Abigail
6303	Dr. Jekyll and Mr. Hyde
8121	That's Not How I Remember It
5628	Lockdown
6614	Still Life with Iris
4276	26 Pebbles
1139	Collected Stories

2017 Best of Show Selections

ALL PERFORMANCE BEST OF SHOWS NEED TO REPORT TO THE THEATER FOR BEST OF SHOW SCREENING by 5:30 PM.

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Choreography — 6614 | Brown & Co.—Mein Heir/Cabaret

Duet Acting A — 1139 | Bogdan & Postlewait—Jerry Finnegan's Sister

Duet Acting B — 3936 | Smith & Zenon—Doubt

Duet Musical A — 1139 | Smith & Losch—The Actuary Song/I Love You Because

Duet Musical B — 4276 | Mullaney & Christoffers—Secondary Characters/Title of Show

Ensemble Acting A — 1983 | Duchene & Co.—Laughter on the 23rd Floor

Ensemble Acting B — 850 | Guiseppi & Co.—Disgraced

Large Group Musical — 4276 | Boisvert & Co. | Prologue/Natasha, Pierre & The Great Comet of 1812

Monologue A — 1139 | Sofia Deler | Henry VI/Den of Thieves

Monologue B — 850 | Kobe Sipp | The Brother's Size/Hand to God

Pantomime — 6893 | Brazzell & Co. | Dachua

Small Group Musical — 4276 | Forte & Co. | No Me Diga/In the Heights

Solo Musical A — 1139 | Sofia Deler | I Don't Care Much/Cabaret

Solo Musical B — 4276 | Annabell Mizrahi | Model Behavior/Women on the Verge of a Nervous Breakdown *L,S,D

Solo Musical C — 7475 | Caitlin Morales | No One Else/Natasha, Pierre & The Great Comet of 1812

Student Directed Scene — 1983 | Miranda Morris | Time Stands Still

TECHNICAL BEST OF SHOW WINNERS SHOULD REPORT TO THE STAGE DOOR AT 6:30 TO PARTICIPATE IN CLOSING CEREMONIES

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Costume Construction — 1139 | Bridget Doherty

Costume Design — 592 | Hannah Glaser

Critic's Choice Tech — 4276 | Kirsten Ulangkaya | Cabaret

Lighting Design — 1139 | Bridget Doherty | Cabaret

Makeup Design — 1139 | Taylor Rosicka | Picasso at the Lapine Agile

Playwriting A — 2449 | Jason James | % Compatibility

Playwriting B — 850 | Raelyn Brown | Nuclear Family

Production Design — 1139 | Rajaguro & Co. | Cabaret

Publicity Design — 1139 | Sam Liu | The Curious Incident of the Dog in the Nighttime

Scenic Design — 1139 | Josh Gibson | The Curious Incident of the Dog in the Nighttime

Sound Design — 7434 | Brenden Friedel | In the Heights

IE Schedule & Program

GOOD MORNING DISTRICT 5!!!!!!!!

Thanks for a fantastic one act festival over the last two days!  We are always blown away by the hard work that you all put in to your one acts!

Individual Events are Today! Break a leg!

You can find the Individual Event Schedules here.

You can find the Festival Program here.

One Act Lighting Update

We have some updates about lighting for one acts that we'd like to share (it's all good things, I promise).  

• The complete Submaster List is on the second sheet of the Channel Hookup Sheet (the tab is on the bottom), and I've included it below.  Here are the highlights:
• Subs 1-15 are front light for individual zones.
• Subs 16-19 are various lights for the whole stage (warm top, cool top, warm front, cool front)
• Subs 20-22 are Cyc lights (Red, Green, Blue)
• Sub 24 is House Lights
• Sub 23 is a UTILITY SUB.  This is a sub that you can program to do whatever you want.  If you wish to use it, your light op will need to communicate which channels they would like assigned to this sub to Ocoee's lighting tech during the 5 minute preset time.  Ocoee's tech will program the sub for you.  You can find which channels do what on the channel hookup sheet.
• The top back specials (DCR, DC, DCL, CC) are NOT programmed to a sub, but are on faders 81, 82, 83, & 84.  The center of these zones will be marked with tape.
• You will have the option of plugging into a dimmable circuit located USR, USC, and USL.  There will be a 10' extension that will be plugged in, and you will plug in to that extension.  The plugs are L5-20 twistlocks.  These dimmers are patched to 101 (SR), 102 (C), 103 (SL), but are NOT on a submaster anywhere.  A troupe requested this and it's not against the rules, so we're making it available to everyone.  Be aware that if you choose to use these and are selected for State that these options will most likely NOT be available.  

Submaster	Channels	Label	Notes
1	1, 21	1/A
2	2, 22	2/B
3	3, 23	3/C
4	4, 24	4/D
5	5, 25	5/E
6	6, 26	6/F
7	7, 27	7/G
8	8, 28	8/H
9	9, 29	9/I
10	10, 30	10/J
11	11, 31	11/K
12	12, 32	12/L
13	13, 33	13/M
14	14, 34	14/N
15	15, 35	15/O
16	41-55	Warm Top Wash	all zones
17	61-75	Cool Top Wash	all zones
18	1-15	Warm Front	all zones
19	21-35	Cool Front	all zones
20		UTILITY SUB	You can program whatever channels you would like to this sub during your 5 minute preset time.
21	151	Red cyc
22	152	Green cyc
23	153	Blue cyc
24	160	House lights

As always, let us know if you have questions!

IE Schedule is Available!

Want to plan your day at the festival? You can see the IE schedules here:

IE SCHEDULES

Please note that there are no longer performance times on the schedules.  Instead, you now have a performance SLOT and a Call Time.  Please make every effort to be in your room at the posted call time.  If you're a few minutes late, the next person on the list will go ahead and perform.

IE Pages Have Been Updated

The IE pages have been updated with the current rules.  Any IEs that are eligible for State follow all of the state rules.  Any IEs that are not currently included in the State Festival have District 5 specific rules (Lighting Design, Production Design, Scholarships, and Sound Design).

Examples of outstanding Sound Designs are also posted.

Registration Information and Reminders for Sponsors

We have a new registration system this year and are actively trying to work out the kinks.  Below are some reminders and information that you will need to know in order to register your troupe correctly.

LOGIN!

• Register here.
• Find the Registration Guide here.
• If you experience difficulty, let us know ASAP.
• Go ahead and put all of your personnel into the system, it will make your Monday much easier.  (Pro-tip: this is a great job for your student leadership! Just double check their work.)

GENERAL REGISTRATION STUFF

• Add your Troupe Registration fee!  When you login, you will need to go to the 'Register' menu and select 'Services'.  Add the $50 'Troupe Registration' fee to your Cart.  If you forget to do this, we'll need to write you a new Invoice.  Please don't forget.
• While you're in services, order the number of t-shirts of each size that you will need for your troupe.  You should order 1 shirt for every person attending the festival with your troupe.  Your student reps will be double checking for you :).  T-shirts are included in the price of registration.  
• Schools with multiple sponsors should add co-sponsors as chaperones.  We will need to waive the registration fee before you finalize your registration.
• Don't forget to register your accompanist!
• CHECKS, PRINCIPAL'S AGREEMENT, AND PROOF OF ROYALTIES (if you're bringing a One Act) ARE DUE TO JEFF BY CLOSE OF BUSINESS ON OCTOBER 13.
• Your playwriting submissions and one act synopses are due on October 13 as well.

EVENT REGISTRATION

• We strongly recommend collecting all of your event information in a single document so that you can quickly work on your event registration.  
• Include your asterisks for content in the Selection field.  The asterisks are as follows:
• L-Language
• S-Sexual Situations
• D-Death
• SA-Substance Abuse
• V-Violence
• R-Religious Commentary
• P-Prejudice/Intolerance
• Please follow the following formats when entering events:
• Musical events: Song Title/Show Title *Asterisks (ex. "Welcome Home (Finale)/Bandstand *L, D, SA, V, R")
• Acting/Tech events: Show Title *Asterisks (ex. "Much Ado About Nothing *L, S, D")
• Monologues: Show Title #1/Show Title #2 *Asterisks (ex. "The Odd Couple/August, Osage County *L, S, D, SA, V")
• Please make sure you enter the correct number of participants for each event.  You can find those limits here.  Your student reps will be double checking for you :)

STUDENT DIRECTED, CHOREOGRAPHY & PLAYWRITING REGISTRATION

• Your student directed, choreography, & playwriting events will need to be registered twice.
• The first registration is for the DIRECTOR/CHOREOGRAPHER/PLAYWRIGHT ONLY.  It will be noted as such.
• The second registration is labeled as CAST.  For this, you will put every student involved in the event (including the director)
• The reason for this is because the computer needs to recognize that the students are busy during that time without counting against your event title for actors, and we can't do that unless there is a separate event.
• Let me know if this doesn't make sense. I can make a tutorial if you need it.

ONE ACT REGISTRATION

• When you register your one act, make sure to select the correct day.  There is a separate session for Thursday and Friday.
• Every student involved in your one act (actors and technicians) need to be registered.
• Your final cast/crew list is due at festival check-in.  This is the ONLY event that you may make personnel changes to without prior approval.